‘A quiet resistance’ Safehouse, London. October 2024
This exhibition brought together 7 Royal College of Art graduates whose practices share an attentiveness towards contemporary relationships between human and non-human entities, as well as a distinct materiality that engages with an ongoing becoming-with, a ’Sympoiesis’*. Featuring sculpture, photography and print, the works conversed with each other as well as resonating with the space in the beautifully crumbling ruin of a home that is now a gallery.
Eileen White, Charlotte Cooper, Leonie Cameron, Helen Clarke, Abi Frekelton, Katie Spragg and Marie LInsdell
*‘Sympoiesis’ - making with.’ Nothing makes itself; nothing is really autopoietic or self-organising.’ Donna J. Haraway, ‘Staying with the Trouble: Making Kin in the Chthulucene (Durham: Duke University Press, 2016), p. 58.
works top row
This exhibition brought together 7 Royal College of Art graduates whose practices share an attentiveness towards contemporary relationships between human and non-human entities, as well as a distinct materiality that engages with an ongoing becoming-with, a ’Sympoiesis’*. Featuring sculpture, photography and print, the works conversed with each other as well as resonating with the space in the beautifully crumbling ruin of a home that is now a gallery.
Eileen White, Charlotte Cooper, Leonie Cameron, Helen Clarke, Abi Frekelton, Katie Spragg and Marie LInsdell
*‘Sympoiesis’ - making with.’ Nothing makes itself; nothing is really autopoietic or self-organising.’ Donna J. Haraway, ‘Staying with the Trouble: Making Kin in the Chthulucene (Durham: Duke University Press, 2016), p. 58.
works top row